about



crédits photo : Elies Van Renterghem
Clémentine Vaultier is a French artist based in Brussels (b.1991). Her interest, although trained as a ceramist, is in the surroundings of the fire rather than the production it engenders. Her long term research on how we raise, use and diffuse warmth connects the worlds of ceramics, performance and pedagogy around the fire, literally and by means of documentation. The creating, collecting and (re-)arranging of technical, historical and archival material in dialogue with others allows to create narratives around 'warmth', as a basic human need and phenomenon. Doing so, Vaultier’s practice is necessarily plural, in dialogue, and the output intended to keep the fire going. Clémentine Vaultier works at Max and is an artist associate at Jubilee - platform for artistic research.

She is the artistic assistant to the ceramic department of La Cambre national school of arts (Brussels) where she also coordinates a transdisciplinary research course on heat and collective firing for master students.

She graduated from the master Autonomous Design at KASK, (2019 Gent) where she received the “Bruynseraede - De Witte honor prize” for her still going research on Warmth, a central topic she looks at as a physical as well as a social phenomenon. 

She also graduated from La Cambre (2017 Brussels) in Ceramics and Central Saint Martins (2011 London) in Fine Arts - contextual practice. 


2024 (updating...)
2023 (updating...)

2022

_Radiator, collective exhibition, 019, Ghent, 02.12.2022-20.03.2023

_Cuire ensemble ici ?, Transdisciplinary Module for Master students, ENSAV La Cambre, oct-dec 2022

_ Spinning Plot, workshop, Nomadic school of Arts, 13.09.22-18.09.22

_ Summiting the oven, part of Going Public curated by F.eks., C4 projects, Copenhagen, DK 27.08.22 - 29.08.22

_ F.eks. AIR residency, Aalborg, DK

_ Learning through the sole of our feet, Summer School co-organized by Skal Contemporary, f.eks., and Jubilee, co-curated by Vermeir & Heiremans. 22.06.2022 - 29.06.2022

_ Assembly of Practices #2, whose artwork?, collective research project EmptorBuda, Kortrijk, 16.06.22

_ How to inscribe cultural property in the present ?, Emptor reading-room, 13.05.22

_ Atlas of lost finds, Studio Unfold, DesignFestGent, Design Museum Gent, 22.04-05.05

_Synonymes d’objets // Matières premières, Eleven Steens, Brussels, 24.02-10.04


2021

_Cuire ensemble ici ?, Transdisciplinary Module for Master students, ENSAV La Cambre, oct-dec 2021

_Caveat Reading Room #15: Rising Warmth, July.26 

_Presentation: Can you feel the heat now?!, CNIFOP,
Saint-Amand-en-Puisaye, Jun.03

_Presentation: Can you feel the heat now?!, Mudam, Luxembourg, April.01

_ Vitrine des créateurs, exposition, Becraft, Mons, 9.05-01.08

_Caveat Reading Room #14: The Orphans of Tar, online session, march.26

_Can you feel the heat now ?!, Workshop for Ceramic students, ENSAV La Cambre,  march.15-21




2020
_ Les mains dans les poches, collective exhibition, curated by Eric Croes, 28.10.20-05.01.21, Gilles Drouault galerie/multiples, Paris

_ Love Hotel, collective exhibition oct.2020, Canopee guesthouse, Bruxelles

_ Dans ces eaux-là, collective exhibition 07.2020-03.2021, Le Phare, Musée de la Céramique, Andenne

_The Orphans of Tar, online reading session, hosted by Kunsthal Gent, oct.23.20




2019

_Through Practices, 27.10-29.10, KASK & Vooruit, Ghent

_Graduation show, 27.06-30.06, campus Bijloke, KASK, Ghent

Publication
The Orphans of Tar, A Speculative Opera, Art Paper Editions, Ghent, 2019.
co-authors: Vermeir and Heiremans, Stijn Van Dorpe, Filip Van Dingenen, Heike Langsdorf, Vanessa Müller, Julien De Smet, Epilogue: Danielle Van Suijlen.  

Prize
_Ereprijs Stichting René Bruynseraede - De Witte 2019 voor Autonome Vormgeving




2018

_Semi-simultaneous, collective exhibition,17.05-20.05, Gouvernement, Ghent

_Variations in raw, collective exhibition, 18.01-22.01, la Quincaillerie, Brussels




2017

_SYNC! collective exhibition, curated by Herman Byrd, 30.05-11.06, ISELP, Brussels